Almost two years ago, I wrote up the first of what I claimed would be a nine-part series on the solo charting acts of the rock era with whom I share a surname. The curious thing about this collection of singers was that eight of the nine hit the Top 40 exactly once (the ninth, Tony Harris, the subject of that first piece, was the one who didn’t hit at all). It’s taken too long, but I’m finally getting around to a second installment; the impetus was the artist’s appearance on last week’s 5/24/75 rebroadcast.
Major Harris is best-known for that one song, “Love Won’t Let Me Wait.” It’s a not-so-quiet-storm jam, as Harris pleads for (and by song’s end, apparently obtains) a night of ecstatic explosiveness with the woman in his company. It reached #1 on the Soul chart, and made #5 on AT40 (it was #13 when I listened last week).
But finding out very much more about Harris’s life and times has proved somewhat elusive. Searches on Google and Bing lead mostly to obituaries posted soon after he passed away in November 2012 (by about the eighth page, search results begin including references to the late 80s quarterback from West Virginia University with the same name). These articles usually have similar skeletons.
Major Harris was born in Richmond, VA, in 1947. According to his Wiki page, both of Harris’s parents had connections to and interest in music. He sang with several groups you’ve heard of, but invariably after they were done generating their big hits: the Jarmels (also from Richmond), the Teenagers (post-Frankie Lymon, of course), and most notably, the Delfonics (he went back to them after his solo career faded).
Harris put out a couple of singles in the late 60s that went nowhere, although “Call Me Tomorrow” is pretty tasty (the B-side is a decent cover of “Like a Rolling Stone”).
His early 70s work with the Delfonics got him a solo deal with Atlantic, and his debut album My Way (yes, it includes his take on the Paul Anka-penned classic) produced his big hit, as well as “Each Morning I Wake Up,” which made #3 on the Disco chart. Jealousy came out a year later; the first single, “I Got Over Love,” almost sounds like it’s surveying the scene from the morning after “Love Won’t Let Me Wait,” opening with (the same?) woman crying, “Major, don’t go.” It barely crawled into the top 25 on the Soul chart and couldn’t crack the Hot 100 (though two singles from Jealousy–the title cut and “Laid Back Love”–did). Atlantic then dropped him, and it appears he later released two other albums that didn’t go anywhere. Beyond that, the record out there on the Internet is pretty thin, until we get to his death at age 65. One tribute did mention four children.
I don’t have any recollection of “Love Won’t Let Me Wait” getting radio play on WSAI during its run on the pop charts (which may or may not mean anything). I probably learned of its existence from a late 80s Joel Whitburn book; the first time I can recall hearing it was almost exactly eight years ago, when Premiere played 6/7/75. That happens to be the show that got me hooked once again on AT40.
(This is the 300th post with the PastBlast tag.)