A few artists (in addition to the Beatles) have multiple representatives in my father’s 45 collection. We won’t see a couple of them in this post (I showed you records from Gary U.S. Bonds and Joey Dee and the Starliters early on; a second from each will crop up some other time). Here are the other four acts whose work Dad dug twice.
Chubby Checker, “The Fly” and “Let’s Twist Again”
You might be as surprised as I am that CC’s biggest hit isn’t here–it was my father’s #15 song of all time. Instead, we get two Top 10 hits from the summer and fall of 1961, right around the time that my parents met. Pretty sweet sleeves.
Creedence Clearwater Revival, “Down on the Corner” and “Run Through the Jungle”
Two double-sided hits–“Fortunate Son” and “Up Around the Bend” are on the flip sides here.
Johnny Rivers, “Rockin’ Pneumonia-Boogie Woogie Flu” and “Sea Cruise”
I’m not sure how much of a fan Dad was overall of Rivers’s 60s hits (though I’m pretty sure he liked “Secret Agent Man”), but he definitely jumped on board in the 70s when Johnny started doing covers of early rock-era hits. It wouldn’t have been a shock to come across “Help Me Rhonda” in his stash. This is not a PastBlast post, but I’ll note that “Rockin’ Pneumonia-Boogie Woogie Flu” is debuting at #38 on this weekend’s 11/11/72 rebroadcast.
Nilsson, “Everybody’s Talkin'”and “Without You”
Eight-year-old me loved “Without You,” but somehow it escaped me for eons that Dad had bought the single back then. These are both quality picks.
Nilsson is also on the 11/11/72 show, and I’m hoping to put together a little something about that in the next few days.
For a few years at the beginning of the rock era, extended play 45s were a reasonably popular item. A quick jaunt through the Billboard archives at worldradiohistory.com indicates that for just about exactly three years (October 1957-October 1960, as best I can tell without heavy digging), they published a list of the Top 10 Selling Pop EPs. My father apparently was not immune to the charms of this format; let’s take a tour of the four I discovered in his collection.
Here’s Little Richard, Part 1
The twelve tracks on Richard Penniman’s debut album were also broken up into three EPs, SEP-400, -401, and -402. The same photo appears on the cover of each, with orange, yellow, and red backgrounds, respectively. This one contains his biggest hit, the #6-peaking “Long Tall Sally,” along with “Miss Ann” ( the B-side to “Jenny, Jenny”), “She’s Got It,” and “Can’t Believe You Wanna Leave.”
Dave “Baby” Cortez, The Happy Organ
We had an organ not entirely unlike the one pictured above, though I never heard either of my parents give it a whirl. Forced to guess, I’d say my father was responsible for its presence; maybe Cortez’s #1 hit was the inspiration?
“Love Me As I Love You” was the B-side of the original 45, which had been released on Clock Records.
The Kingston Trio At Large, Part 1
This one was on the Pop EP chart in the final months of its publication. “M.T.A.” had reached #15 the year before. “All My Sorrows” was the B-side then–perhaps it was a standard practice to supplement the original single with two extra tracks?
I think I have vague memories of my father singing (along with) the chorus of “M.T.A.”
Elvis Presley, A Touch of Gold Volume 1
My dad liked early Elvis plenty (rockin’ edition, anyway), so perhaps it’s a little surprising this will be our only encounter with the King in this series. Presley released a slew of EPs at the beginning of his career, but neither volume entitled A Touch of Gold charted. Two of these songs hit #1–not bad for approximately $1.29 (that’s the price I found on the backs of the Cortez and Kingston Trio jackets). I’m going to embed the one he almost certainly enjoyed less.
My Dad liked the Beatles quite a bit. Not a “played them frequently in the house while the kids were growing up” like; it was more of a “make your kids aware of how good they are when a song of theirs comes on the radio” like. I believe there were Beatles LPs among his collection that I carted off to the Cincinnati Public Library, though I couldn’t tell you now which ones or how many. I do know there were several of their biggest albums on CD in the box under the bed in their townhouse basement, as I used some to fill gaps in my collection.
As for singles he purchased that featured one or more of John-Paul-George-and-Ringo, I found five. Here’s a quick tour.
“I Want to Hold Your Hand”/“I Saw Her Standing There” The one that kicked off Beatlemania here in the States. I never thought to ask my father if there was any connection between his love for these and the fact that the A-side was #1 when I was born. I’ve noted before that he rated these #3 and #2, respectively, on his all-time hit parade.
During winter break of my junior year in college, I must have come across his collection of 45s, as I borrowed this for a few weeks, and played “I Saw Her Standing There” on the radio show I recorded for my cousin.
“Hey Jude”/“Revolution” This is one that Dad did play for us, at least in the late 60s/early 70s when we were living in Stanford. Like “Harper Valley P.T.A.,” it’s a song that feels like it’s always been a part of my life. I definitely dig the sleeve; the next entry has one just like it, too.
George Harrison, “What Is Life” I love this song, too, and wish I could talk with him now to learn what endeared him to it.
Paul & Linda McCartney, “Uncle Albert/Admiral Halsey” Another delight to discover here. When I think of Dad and McCartney singles, though, it’s the Wings Over America version of “Maybe I’m Amazed” that comes to mind first. He’d quit buying singles long before the spring of 1977, however.
I was too young in 1968–four years old–to be aware of the King and Kennedy assassinations, the Chicago Democratic National Convention, Nixon’s election, the unrest over the Vietnam War, or any of the other events from that tumultuous year. (I suspect my parents did what they could to shield my young ears from the news on the television.) The major thing that happened in my own life was our family’s move from La Grange to Stanford, as Dad had found a new pastorate there; September 4, a Wednesday, is the date that stuck in my head long ago for when that occurred.
Even if I haven’t taken many deep dives into the music of 1968, my impression of its pop scene is pretty positive. A few of the singles my father bought back then are amazing, while there’s one that doesn’t exactly strike me as one of the year’s best. I wish I could talk with him now to argue over (erm, I mean discuss) that selection.
It’s funny. I’ve known the line, “It don’t rain in Indianapolis in the summertime,” for seemingly forever, but there isn’t a recording of this song that I recognize as being something I heard growing up. Miller’s version, in which he manages to sound both sleepy and lecherous, made the charts first, with a run that included three weeks at #40 and then three weeks at #39. O.C. Smith would reach #2 six months later. Martha says the take by the guy with the next song in this post is the one familiar to her. Bobby Russell won a Song of the Year Grammy for it.
But what’s up with that second verse? Guy begs for a lunch date with his wife, “knowin’ she’s busy,” and then makes her wait for him? Big power play there, but I guess maybe small potatoes compared to what Russell came up with in…
Goldsboro had a syndicated television variety show for a couple of years starting in 1973. It was on for a while in the Cincinnati market–I believe it ran on the NBC affiliate between 7 and 8pm one night a week–and that may well be how I first encountered him. These years I think about him only when a rebroadcast is playing either “Watching Scotty Grow” (I confess that one can make me tear up a little) or “Summer (The First Time)” (ugh).
According to Wikipedia, “Honey” was the top-selling single worldwide in 1968; looks like the Harris household contributed to that ignominious result. I know mores and norms change, but there’s WAY too much laughing at, ignoring of, and crying by Honey–am I the only one who’s thinking she must have committed suicide?
Russell’s other big songwriting success was the highly illogical “The Night the Lights Went Out in Georgia” (he was married to Vicki Lawrence at the time it was a hit). He died in late 1992, in Nicholasville, KY, which is about as far south of Lexington as Georgetown is north.
This was Sledge’s second biggest hit on the pop charts, though it’s not familiar to me at all. Our narrator’s mother and even the minister at the wedding could see trouble coming, but he didn’t suss it out until it was too late. Another one that doesn’t quite match what I thought was my father’s style, but I’m learning…
Jim Bartlett has written before (I’m paraphrasing) about songs that have just always been there in your life. “Harper Valley P.T.A.” is one of those for me (we may meet a few others along the way in future installments). This could well be because of Dad playing this 45 multiple times on our console hi-fi, but whatever the reason, hearing it still transports me to times and sensations of long, long ago. I 100% adore it: Riley’s twang and righteous anger, the details behind each board member’s waywardness, the multiple modulations. Phrases like “little nip of gin” and “the day my mama socked it to…” have never not been a part of my consciousness.
I won’t be able to keep up semi-themed posts in this series forever, but I think I have still got a few more to go before we get to the hodgepodge entries.
Last month, I took a first dive into the singles my father had purchased over the years that Amy and I hadn’t confiscated. I’d found them in a cabinet drawer at my parents’ townhouse as I began to clear it out five years ago. While I’m not currently planning on going in rough chronological order, this time we are seeing the remaining 45s in the set that hit the charts before the calendar turned over to 1960. Peak positions, unless otherwise noted, are from the Hot 100.
The oldest hit I found, and even though the sleeve is close to falling apart, I can’t pin down exactly when my father bought it. Don’t know that Dad ever referenced this song in my presence, but it’s a rockin’ little tune.
Bennett seems to be have been based around Louisville in the early 50s. He wasn’t quite a one-hit wonder; the very similar “My Boy Flat Top” reached #39 a few months later. Covers of “Seventeen” by the Fontane Sisters and Rusty Draper charted simultaneously, peaking at #6 and #18, respectively. It was the last Top 10 hit for the Fontanes.
Maybe I should be a little surprised that “Rock Around the Clock,” Dad’s #1 song of all time, wasn’t in his collection, while this one is (it was his #18 song). Pretty sure I came across a Haley LP, though.
Answer to a trivia question Casey once answered about one-week wonders: amazingly, this classic debuted on the chart at #29, yet fell all the way to #87 the following week. It waddled around in that neighborhood for three more weeks before falling off. Dad ranked this one at #34.
Scott was a native of Windsor, Ontario, and had three other songs go Top 10 over the next couple of years. I confess that the ballad-y style doesn’t really square with what I considered Dad’s musical tastes to be, yet here it is.
This was a double-sided hit; the flip is “Honey,” which reached #11 on the Best Sellers chart. Scott passed away this past December.
After my parents passed away, the task of dealing with their townhouse and its contents largely fell to me. To a good extent, this was an artifact of geography: my sister and her family lived many hours away, in Florida. While I didn’t want to rush the job, it was going to be much easier for me to work during the summer months when I wasn’t teaching class. So, as August approached in 2015, I was renting a U-Haul to transport some furniture to my place and making multiple trips to the Habitat ReStore and Goodwill with donations. Another morning I drove in to downtown Cincinnati with a very specific task: to drop off a load of vinyl LPs and CDs with the Cincinnati Public Library, for them to turn around and sell to the public.
Dad’s vinyl collection was more heavily weighted toward classical music/opera, but there was plenty of rock, musicals, and comedy present as well. I pulled out a few representative disks for myself, especially from the comedy, including The Button-Down Mind of Bob Newhart and Flip Wilson’s The Devil Made Me Buy This Dress. (Alas, I didn’t recognize the treasure I had in Vaughn Meader’s The First Family until I’d already donated it.)
I kept all the 45s, however.
I’ve mentioned previously how a few singles had migrated from his collection to those of his children in the late 70s: among them are “Surfin’ U.S.A.,” “Aquarius/Let the Sunshine In,” “Come and Get It,” “Sweet Caroline,” and “Spirit in the Sky.” But I count now around sixty pieces that had remained separate over the decades. It’s a somewhat eclectic mix, spanning about a fifteen-year period. Several are completely unfamiliar to me. A couple make me re-evaluate, maybe even question, my father’s taste in music just a little.
I plan to do the occasional post in the coming months that will highlight a few of Dad’s 45s. The premiere episode focuses on favorites of his from the early years of rock ‘n roll that also topped the charts. I’m listing them chronologically, noting the week each one hit #1, how many weeks it spent there, and where the song ranked in Dad’s pantheon (at least according to the compilation cassettes he recorded in the early 90s entitled IRH’s Rock and Roll Revue). They were all hits when he was between the ages of 25 and 30; the third and fourth ones were popular at the time my parents met.
This is only one of these five that has a sleeve with any character. The presence of Teddy Randazzo, who didn’t chart with ABC-Paramount until 1960, makes me think this wasn’t purchased in real time. That’s a pretty cool label.
Joey Dee immediately followed Chubby Checker’s second go-round at #1 with “The Twist.” I can’t know now when Dad purchased any of these singles, but since this Roulette label is the same as that of Knox’s song above, I’m suspecting he didn’t buy “Party Doll” until several years after it was a hit.
There’s another #1 song from this period that will appear in an upcoming post in this series.