Modern Rock Tracks, 8/1/92

July and August 1992 were busy months. I was trying to cram in some final good times with IL buds before I rode off into the sunset while also making preparations for that upcoming new life as an assistant prof in KY. In mid-July a bunch of us traveled to Bettendorf, IA for a couple of days of bridge; a little more than a week later, I took off with my friend Jay for Toronto to the summer nationals and another crack at the non-Life Master Grand National Teams event. This time, I was playing with Mark L, since his old partner Milind had graduated; at the other table, Jay would be with Chris, my partner in Las Vegas the year before. Unlike the previous two years, we would advance out of the first round, but that’s as far as we made it.

After saying our farewells to Mark and Chris, Jay and I headed north and east, camping out a couple of nights and taking a quick survey of Montreal. By Wednesday, 7/29, we were back in Toronto for a day of bridge and an evening of baseball.

It was a pretty good pitching matchup, Dave Stieb vs. Kevin Appier. The soon-to-be World Champions lost to the woeful Royals that evening, 5-2. It was the only time I got to see George Brett, who was in his next-to-last season, play; alas, he went 0-4 with an IBB.

From there, it was a whirlwind of travel: Thursday it was back to Champaign-Urbana, and on Friday I drove to my parents’. That was because Saturday, August 1, was my 10th year HS reunion, to be held not far from the high school at a park that hadn’t existed in the early 80s. It was a beautiful day (this was the summer that was significantly cooler than normal, likely due to the 1991 eruption of Mt. Pinatubo in the Philippines), and the location was perfect for those who already had small children in tow. One of my classmates who attended was then working for the public radio station at nearby Northern Kentucky University. She had a couple of tickets that she couldn’t use for Sunday night’s Mary Chapin Carpenter concert in Cincinnati–guess who snagged one of them?

The following week, it was another two trips between IL and KY. The first was to load everything for moving and then cart it to an apartment on the southeast side of Lexington; the second was to take my office-mate Paul back to Champaign–I’d needed to rent a small U-Haul and he had graciously offered to drive it. With my UIUC days literally in the rear-view mirror, I had around two weeks to tackle prepping a new set of classes and commence adjusting to the post-student life.

With all those miles being logged in SE Indiana in my ’86 Camry over those weeks, there was plenty of opportunity to listen to my then-favorite station, WOXY (97X), out of Oxford, OH. What might I have heard then? I imagine the 8/1/92 Modern Rock Tracks chart can offer some ideas.

27. PJ Harvey, “Sheela-Na-Gig”
Polly Jean was just 22 years old when her music began crashing on these shores. I’m sure I heard “Sheela-Na-Gig” at the time, though I have stronger memories from a couple years later of watching Beavis and Butt-Head comment on “50 Ft. Queenie.”

26. Toad the Wet Sprocket, “All I Want”
While I do have a fondness for some of the edgier stuff that emerged in Modern Rock world, I’m definitely a sucker for melodic, guitar-driven alterna-pop from the likes of Toad the Wet Sprocket. This would go to #15 on the Hot 100 in September.

22. Beastie Boys, “So What’cha Want”
I’ve said it before, but the Beasties’ growth into a respected act, given their juvenile initial splash, was a genuine surprise to me. You can bank on “Sabotage” getting featured in this series a couple of years from now.

21. The Levellers, “One Way”
I get an amped-up Waterboys feel from the Levellers, I guess because Mark Chadwick sounds plenty like Mike Scott to me on this tune. I purchased a promotional CD single for “One Way” at some point in the first half of the 90s; it’s a good one.

19. XTC, “Dear Madam Barnum”
I don’t think Nonsuch has as many highlights as Oranges and Lemons or (especially) Skylarking. “Dear Madam Barnum” is without a doubt one of them, both catchy and funny.

17. Paul Westerberg, “Dyslexic Heart”
16. Electronic, “Disappointed”
7. Siouxsie and the Banshees, “Face to Face”

Multiple movie soundtracks at the time were centered on or featured alternative music. “Dyslexic Heart,” my favorite of these, comes from Singles. “Disappointed” is one of three songs on the chart appearing in Cool World (the others are David Bowie’s “Real Cool World” at #25 and the resurgent “Sex on Wheelz,” from My Life with the Thrill Kill Kult, at #20). “Face to Face” surfaced in Batman Returns, the only flick of the three I saw back then.

14. Catherine Wheel, “Black Metallic”
The video doesn’t look familiar, so this must be one I learned of via 97X. I’m still a fan.

13. Temple of the Dog, “Hunger Strike”
Grunge was never much my scene, but I can recognize “Hunger Strike” as a remarkable musical moment, with the iconic voices of Chris Cornell and Eddie Vedder coming together before either was well-known.

12. Del Amitri, “Always the Last to Know”
While I never bought any of this Scottish group’s albums, I rather liked all three of their songs that scored U.S. airplay and chart action (of which this is the second). It would peak on the Hot 100 at #30 in October.

6. U2, “Even Better Than the Real Thing”
Bono and the boys were still pumping out the singles from Achtung Baby. Seems like they could have come up with a better line than “gonna blow right through you like a breeze,” though.

5. The Lemonheads, “It’s a Shame About Ray”
From that brief moment when Juliana Hatfield joined forces with Evan Dando. I’ve got the re-issue with the added cover of “Mrs. Robinson.” Both the title track and “Rudderless” found their way to mix tapes.

2. Faith No More, “Midlife Crisis”
It’d been a long time since I heard this one; I remember it mostly for the “bleed enough for two” line. Again, what groups like FNM were selling wasn’t what I was inclined to buy–though maybe in their case I was still appalled at the flopping fish scene from the end of the video for “Epic.”

1. B-52s, “Good Stuff”
Down to a threesome at this point after Cindy Wilson took leave. Not that this is bad, but in retrospect it feels like Cosmic Thing was not only cathartic but depleting.

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