Stereo Review In Review: October 1982

I don’t intentionally pick issues that feature the same artists over and again, but nonetheless there are several repeat appearances here from just the last few installments in this series, including Gary U.S. Bonds, Fleetwood Mac, Susannah McCorkle, and August Darnell (he’ll be back next month, too). C’est la vie.

This is one of the first SRs to come out after I went off to college. I have no specific memories of leafing through it, though I likely would have done so by the time of my first Thanksgiving break. It’s pretty heavy on reviews, so perhaps we should just dig in.

Article
A Guide to Hi-Fi Furniture, by Carl W. Spencer
An overview of the latest/greatest in consoles and cabinets of various sizes, shapes, and materials, from full-wall to modular to standalone, from solid oak to acrylic. The article starts on page 71; the pictures are definitely fun.

Our reviewers this month are a typical bunch: Chris Albertson, Noel Coppage, Phyl Garland, Paul Kresh, Mark Peel, Peter Reilly , Steve Simels, and Joel Vance.

Best of the Month
–Sippie Wallace, Sippie (JV) “It is rare today for a major label to release good—no, make that great—old-fashioned jazz lovingly performed in high style and recorded with excellent sound.” Wallace, eighty-three at the time of this recording, began singing professionally before World War I. Bonnie Raitt, who appears on Sippie, had been hanging with Wallace for about a decade at this point.
–Original Broadway Cast, Merrily We Roll Along (PR)  “…Sondheim’s music and lyrics again demonstrate his cool detachment from his characters, his generally dark and sorrowful view of the unsatisfying messes people can make of their lives.”

Recordings of Special Merit
Pop/Rock/R&B/Country:
–Gary U.S. Bonds, On the Line (JV) “The success of the Bonds/Springsteen association is based on their common experience as entertainers with years of boondocks one-nighters behind them.”
–The Gap Band, IV (PG) “The Gap Band promises to become the best vocal-instrumental group in Souldom since the Commodores were at their peak.”
–Genesis, Three Sides Live (MP) “Most of the songs are even more convincing here than in their original versions.”
–Juice Newton, Quiet Lies (NC) “She’s presented here roughly the same way that (Emmylou) Harris is, with vaguely country songs set to vaguely L.A.-rock arrangements, with evidence of good taste in both areas.”

Jazz:
–Dave Brubeck/Paul Desmond, S/T (CA) “…no serious lover of modern jazz should be without these historic sides.”
–Ron Carter, Herbie Hancock, and Tony Williams, Third Plane (PG) “…a brilliant distillation of the music that these men, now recognized as among the main transmitters of the jazz tradition, once played as young Turks of the Sixties.”
–Al Cohn/Scott Hamilton/Buddy Tate, Tour de Force (JV) “The Tokyo crowd is enthusiastic, and understandably so. I hope this album sells as well as Toyotas do.”
–Earl Hines, Paris Session (JV) “…the greatest pianist in the history of jazz, bar none.”
–Thelonious Monk, The Thelonious Monk Memorial Album (CA) “…it is as much a parade of brilliant sidemen as it is a distillation of Monk’s own creativity during an important period in this career.”
–The New York-Montreux Connection, S/T (CA) “…offers lots of big names playing fine, even exciting jazz at the 1981 Montreux and Kool New York jazz festivals.”
–Muggsy Spanier, At Club Hangover, Volume 2 (JV) “Spanier was no genius, but he was surely special, gifted, and true to his own muse.”
–Phil Woods, Birds of a Feather (CA) “I have learned to expect fine things from the horn and imagination of Phil Woods, and…fine things are just what this album offers.”

Featured Reviews
–Rosemary Clooney, Sings the Music of Cole Porter (PR) “Rosemary Clooney, who has been demonstrating just how good a pop-jazz singer she is…now proves herself to be an elegant, easy stylist as well.”
–Randy Crawford, Windsong (PG) “For those who have been fortunate to follow her progress through the years, it should bring the warm glow of a promise fulfilled.”
–Kid Creole and the Coconuts, Wise Guy (CA) “This is urbanized island music full of sophisticated, thoroughly musical subtleties.”
–Epic’s Lost Soul, Volumes 1-3 (PG) “While this set does not satisfy the need for a comprehensive reissue of historic r-&-b recordings, it does serve to demonstrate how very much is lost each time a promising record is ignored.”
–Susannah McCorkle, The Music of Harry Warren (CA) “…McCorkle delivers the Warren material with tender loving care and respect.”

Other Disks Reviewed
–Air Supply, Now and Forever (PK) “…the music conveys a certain Outback innocence, even in its more urbane moments, that is rather appealing.”
–Blondie, The Hunter (NC) “It’s not always good, but at least it isn’t conservative.”
–Rosanne Cash, Somewhere in the Stars (NC) “There aren’t many veterans of three albums who have committed to vinyl as few clunkers as Rosanne Cash.”
–The Dukes of Hazzard (NC) “My kids—who have, thank God, just about outgrown the show—think the album is a bad joke. Much of it is.”
–Roberta Flack, I’m the One (CA) “This is Flack at her heavy-hearted best.”
–Fleetwood Mac, Mirage (SS) “I hasten to add, however, that this album’s lapses are not cases of the usual superstar indulgence. Fleetwood Mac remains of the few ensembles currently selling records in large quantities that doesn’t insult your intelligence…”
–Heart, Private Audition (JV) “The principal defect of the new album is their vocal stridency on the hard rockers; they sound like they’re having a tantrum.”
–Kansas, Vinyl Confessions (NC) “Most of this album is tuneless, inarticulate, repetitive, and boring. Apart from that…”
–Chuck Mangione, Love Notes (PK) “The sturdy, good-humored playing, full of repetition, is sometimes more numbing than entertaining.”
–Men At Work, Business As Usual (MP) “Men at Work would do well to take a vacation from the burden of ‘art’ and relax a bit.”
–The Steve Miller Band, Abracadabra (JV) “There’s no substance to it, but it is cleverly crafted pop…”
–The Alan Parsons Project, Eye in the Sky (NC) “…seems more than ever a poor man’s Pink Floyd. The style is grandiose, but the more you listen, the less you hear…”
–Queen, Hot Space (MP) “…apparently supposed to be Queen’s ‘funk’ album, but I don’t think that’s an adequate excuse for this whack over the head.”
–Kenny Rogers, Love Will Turn You Around (NC) “Since Rogers already had the middle of the performing road covered…I don’t see what’s to be gained by his taking up with middle-of-the-road material.”
–Patrice Rushen, Straight from the Heart (PG) “…makes it clear that Patrice Rushen’s real range is much greater than she has yet displayed.”
–Richard Simmons, Reach (PR) “I know that I’d have to become as huge as Orson Welles before I would even vaguely consider listening to Simmons’s hysteria-flecked whimsey again.”
–Donna Summer, S/T (Irv Cohn) “Three of the songs rank just behind her classics—a small percentage, perhaps, compared with her hit-packed albums of the past, but nothing to sneeze at.”
–Survivor, Eye of the Tiger (JV) “There’s nothing wrong with Survivor except that you’ve heard all their stuff before…”
–Thompson Twins, In the Name of Love (SS) “Nowhere on this album is there a detectable trace of emotion, sweat, or any human quality whatsoever.”
–X, Under the Big Black Sun (SS) “This band enjoys being miserable far too much for their own good, which makes them spiritually closer to the Eagles than to the Jefferson Airplane, and at least in my house that’s not a compliment.”

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