It was around this time that I started a subscription to Hoot, a bi-weekly comics newspaper out of Columbus, OH. I’d learned about it on a May visit to a college friend who was doing the med school thing at the Ohio State University. Not all of it was to my taste, but it did serve as an introduction to Zippy the Pinhead and Bizarro. Not sure now whether I kept getting it after I moved back to KY; I do wish I’d held on to at least one copy. It’s long been defunct, but I’ll bet I could find issues in the archives at the Billy Ireland Cartoon Library and Museum at tOSU.
Anyway. Moving on to our next survey of the alternative scene of 30 years ago…
30. Jesus Jones, “International Bright Young Thing”
JJ is tied for having the oldest song on the countdown, as Casey liked to say: 11 weeks, same as “See the Lights” from Simple Minds, to which we tipped our cap back in April.
28. Peter Himmelman, “Woman with the Strength of 10,000 Men”
This one is new to me. It’s based on an encounter the artist had with Susan, who was dying of ALS yet persevered in communicating with others after she lost use of everything except her left eyebrow. Himmelman, originally from the Twin Cities, wrote at length about the experience three years ago here. It’s an affecting, earnest song about an important lesson learned.
26. The Popinjays, “Vote Elvis”
This Brit-pop group had one album that went nowhere under their belt by this point. “Vote Elvis” (I’m unsure which one they’re lobbying for) was a subsequent single that ultimately appeared on 1992’s Flying Down to Mono Valley. Fun track, but “Monster Mouth,” which I’ll play here someday, is that album’s best song.
24. Dream Warriors, “My Definition of a Boombastic Jazz Style”
I wasn’t much of one to seek out rap/hip hop back in the day, though there were acts (De La Soul, Beastie Boys, Arrested Development, Us3) that held appeal. Dream Warriors would have been another had I ever encountered them.
The cute thing here (which I confess I wouldn’t have known without consulting Wikipedia) is that the song being sampled–Quincy Jones’s “Soul Bossa Nova”–was the theme for the long-running, 70s and 80s Canadian game show Definition.
20. Too Much Joy, “Crush Story”
Is “Crush Story” my favorite song on this chart? It sure is in the running.
The guys from Scarsdale got back together recently and just released Mistakes Were Made, on Bandcamp, in March.
17. Hoodoo Gurus, “Miss Freelove ’69”
A little less Australian music this time than we sometimes get in these MRT forays. This psychedelic track, from the perhaps appropriately named Kinky, commemorated a real-life bacchanalia involving head Guru Dave Faulkner.
15. Material Issue, “Diane”
Somewhere around the spring of 1992, I created a mix tape consisting of songs with women’s names in their titles. I had my choice from among the first three tracks on International Pop Overthrow–“Diane” won the day. What an intro this song has.
14. Fishbone, “Sunless Saturday”
These fellows from SoCal have been a thing of sorts for over forty years, first getting together while in junior high (a couple of them, vocalist Angelo Moore and bassist John Fisher, have been there the whole time–three other original members are back with the band after taking leave at various times). I don’t think I’ve heard much of their music, but man, “Sunless Saturday” sure is a ferocious, unrelenting piece.
13. Dave Wakeling, “I Want More”
From No Warning, his one solo album. Wakeling and Ranking Roger fronted competing 21st century re-formations of the (English) Beat on the two sides of the Atlantic.
7. The Farm, “All Together Now”
The things one didn’t catch in real time, part 28,517: a song about a soccer match on Christmas Day, 1914 between the warring sides on the Western Front of WWI. And yes, there’s good reason for you to think about Pachelbel’s Canon during the chorus.
6. Electronic, “Get the Message”
A year after “Getting Away with It” had charted on this side of the pond, Sumner/Marr/Tennant finally released their debut self-titled disk. “Get the Message” would hit #1 on this chart in three weeks; it’s long been a fave.
5. Violent Femmes, “American Music”
Why Do Birds Sing? was the Femmes’ fifth album. I didn’t think much of “American Music” when I first heard it that spring–too repetitive, too far removed from their epic debut. I’m hearing some of its joy now.
3. The La’s, “There She Goes”
Amazing to me that the La’s just seemed to vanish after this big breakthrough. The Sixpence None the Richer cover is fine, but I’ll take the original every time.
Am I alone in thinking that vocalist Lee Mavers was kinda doing a Frankie Valli thing when he sings, “And I just can’t contain…”?
1. Elvis Costello, “The Other Side of Summer”
Lead track from Mighty Like a Rose. In many ways this sounds like vintage EC, but the string is just about played out: he’d chart with only one more single in the U.S. after this (1994’s “13 Steps Lead Down”).
Not what Costello was on about, but: here we are, on one side of summer 2021; what will we learn by the time we reach the other?