Whether it was fully intentional or not, one of the things that happened after I began buying LPs much more frequently (usually at Cut Corner Records) in the spring of 1984 was stocking up on previously owned copies of Buckingham/Nicks era Fleetwood Mac albums. I skipped over Live, but the other four wound up in my hot little mitts in fairly short order. While not the classic that Fleetwood Mac and Rumours are, I found Mirage rather charming from the get-go. After listening to it again a couple of times over this past week, here’s a decent approximation of its tracks ordered in terms of personal preference.
12. “Only Over You”
The one song on the album I wouldn’t miss. I can confirm Wikipedia’s claim that Christine McVie offers “special thanks for inspiration to Dennis Wilson” for this song on the lyric sheet.
11. “Straight Back”
Stevie contributed just three songs to Mirage; maybe she was holding back a bit for The Wild Heart? This one might not have been out of place there.
10. “Empire State”
Buckingham had quite a few punchy, sub-3:00 pieces appear on FM albums over the years, including three on Mirage. This ode to NYC opens up side two.
9. “Can’t Go Back”
When I bought Mirage, I knew only the hits. I kinda remember the first time I played the album on my stereo back in the dorm: I recognized upon hearing “Can’t Go Back” rev up right after “Love in Store” that I’d made a sound purchase.
8. “Hold Me”
That “Hold Me” reached #9 on my personal chart is more a tribute to its lengthy run than my high esteem, though I fully admit it’s a quality piece. Still not sure about that “damage/manage” rhyme, however.
7. “Book of Love”
Three of Buckingham’s five contributions, including “Book of Love,” were co-written with co-producer Richard Dashut. This one’s a mid-tempo meditation on end-of-relationship angst (i.e., getting dumped).
6. “Love in Store”
I don’t really think of the two Christine-penned singles as fully hers, since Lindsey (and Stevie, to a lesser extent) has such a strong vocal presence on both. This is sitting at #22 for the third week on this show; it’d turn out to be the Mac’s last appearance on AT40 for more than four years.
5. “Eyes of the World”
Steve Simels singles this song out for praise in the October 1982 issue of Stereo Review, particularly noting Buckingham’s acoustic/electric guitar interplay toward the end. What stands out for me now is the single word “eyes,” repeated over as a sort of chorus, foreshadowing what was to come on Go Insane.
4. “That’s Alright”
A gently-rollicking kiss-off, as maybe only Nicks could pull off.
3. “Oh Diane”
A top 10 hit in England; I’d like to know what it might have done as a fourth single stateside.
2. “Wish You Were Here”
Since I never got around to repurchasing Mirage on CD, I’d put it aside for a long time. When I finally wheeled it out again on YouTube, I was struck by how well I could sing along with “Wish You Were Here.” It must be on one of the now-broken mix tapes I made my senior year that I absolutely must find a way to fix. Simply a stunner.
I’m pretty irrational in my love for “Gypsy.” Outside of “Silver Springs,” it’s my favorite song from Nicks. I’ve always liked the extended version in the video, and I’m a sucker for all that joyful dancing in the rain, too. But why is only just now that I’m picking up on the phrase “velvet underground” in the opening line?