Another Round of Jan/Feb Charts

I’ve been waiting for another critical mass of shows from the charting years to get selected by Premiere before doing another of these posts; we’ve now reached that point. This one begins with the eighth week in a row for the one-two punch of ON-J and Foreigner.

Hello/Goodbye: First go-rounds on this chart for one-hit wonders Eddie Schwartz and Bertie Higgins.

As for my faves, it’s a rare instance of two non-Top 40 hits scaling the heights:

Both “Lunatic Fringe” and “Magic Power” got a lot of play on WEBN, Cincy’s primary AOR station, and I couldn’t really get enough of either. Red Rider is at their peak, while Triumph would nudge one spot higher.

Next, it’s early February 1977. WSAI moved AT40 from Sunday night to Sunday morning with this show, meaning I’d have to get my fix some other way. Fortunately, this was right around the time I discovered WLAP-AM in Lexington was running it on Saturday evenings.

Hello/Goodbye: It’s both for the Henhouse Five Plus Too, as this was their only week on the show (I was a mite high on “In the Mood,” wouldn’t you say?); even if you count it as a Ray Stevens single, it’s still a see-you-later. And we’re getting formally introduced to Kansas.

On to the two shows rebroadcast this past weekend. My wife and I came close to barfing over the Paul Anka LDD, but I’m sorry that I missed the other one forty years ago: the excellent “Just You and I” by Melissa Manchester (the backstory for the dedication wasn’t half-bad, either). Went one-for-two on picks; I like that Streisand piece fairly well, and “Flirtin’ with Disaster” was definitely a fave in my social circle. That song from “Two Years Ago” will be surfacing again momentarily.

Hello/Goodbye: Ray, Goodman and Brown don’t really count as a hello, since they’d hit three times previously as the Moments. We are bidding farewell to late, great John Stewart, however.

Lastly, a show of personal significance. By this time I had been regularly tuning into WLAP-AM for about a year.

Forty-two years ago tonight was the first time I stuck a tape recorder in front of my radio to record a show. A big chunk of it is on this beauty of a tape:

I have two 90-minute and one 60-minute Certrons (the 60-minute has orange bands instead of blue). That evening I stopped recording after #11; what tape remained was used three months later, on the 5/20/78 show (in a coincidence, “Our Love” was #35 on that countdown, too).

I listened to the tapes for these (partial) shows a number of times during the high school years. Certain things came back to me while hearing the February show again this past weekend: being told that TP and the Heartbreakers were regarded as one of the best new bands in years; Casey saying they’d look up how many Sam Cooke remakes had charted recently as “(What a) Wonderful World” ended; the question about triple albums hitting #1.

Other memories are particular to the tape itself. My tape player had a small knob on top that you could toggle to pause during recording–this allowed me to avoid recording commercials without hitting stop. But my reaction time was a little slow when the show would come back, so there are several instances of hearing only “…Forty” at the beginning of segments. Also: WLAP-AM was a CBS affiliate at the time. Near the start of the second hour, someone in the studio accidentally fired up a blurb for the CBS Radio Mystery Theater; we get a speaker’s sinister intonations naming the show and a few seconds of a creaking door on top of “Happy Anniversary” before whoever goofed catches their mistake. It’s going to be awhile again now before I’ll hear that song in my head the normal way.

Hello/Goodbye: Waving howdy to Petty and company (the third time in this post we’ve got a song peaking at #40), and so long to War.

One thought on “Another Round of Jan/Feb Charts”

  1. Heh — I was discussing the fact that I’ve always had a soft spot for “Magic Power”; possibly because I associate it with cuddling Cynthia Bryant during that song on my 21st birthday as we watched Triumph at the Cinti Gardens. (Yngwie J. Malmsteen opened, and was the main reason I went.)

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